Well, murdering his wife was to feel less like a cuck, and then creating the persona of Pete was a coping mechanism to deal with having murdered her.
Popped in the first Terminator film last night. I've of course seen it multiple times but I still think it's better than Terminator 2.
They're kind of different beasts but I would tend to agree. T2 is an all-time great popcorn movie and one of the greatest technical achievements in cinema history but I prefer the original's smaller scope and how impressive it looks and feels on such a small budget (even if some of the effects are pretty bad nowadays). Personal preference of course.
The Gate. I forgot Stephen Dorf didn't have a neck when he was a child.
Green Room: A young punk band plays a skinhead venue and witness a murder. The skinheads try to kill them to protect their own kind. Nothing amazing but well done.
Murder Party: A loner finds an invitation to a Halloween party. The party is actually a group of self-absorbed avant garde artists who want to incorporate murder into their work. Pretty funny.
I'd agree that The Terminator is a better film than Terminator 2. It's less polished than its sequel but I think that's part of what makes it stronger to me.
I watched the original Dawn of the Dead with my wife tonight. Watching it as an adult in his 40s is a vastly different experience than it was when I was in my teens or 20s. There is a whole lot more going on in this film than I initially perceived. I could write a film school thesis about this film's artistic complexity. There is so much that could be mined just from the opening shot of the TV station in its death throes. That, in and of itself, is a microcosm of a lot of the film's theme. Same goes for the raid on the projects that follows it.
More than the message about consumerism? Romero’s living dead movies moved from one ism to another (racism, consumerism, classism).
Made more amusing by the fact that the racism stuff in Night of the Living Dead was completely unintentional. Totally poignant and revolutionary at the time it was made but Romero always insisted he never realized it until other people pointed it out to him and hired the guy who played Ben solely because he had the best audition.
Tom's looking old though, I guess he might have one more left in him.
You Were Never Really Here- Phenomenal in every aspect. I know people shit on Joaquin Phoenix after his shenanigans a few years ago but the dude can deliver. For example Inherent Vice.
JP plays an Iraq war vet with PTSD both from his experiences in war and his childhood who now tracks down children who have either run away or been kidnapped and sold into sexual slavery. Between his new assignment and his mental illness he ends up in a spiral of waking dreams and the horrible reality of what he does. Not a pleasant movie but an important one.
With Cavill, I think it comes down more to being someone who has to concentrate on maintaining the American accent, and sometimes losing a little naturalness because of it. It worked in Man From UNCLE, because the character was kind of hammy to begin with.Henry Cavill felt very hammy, especially his introduction - the way he talked reminded me of someone trying too hard to sound tough, I guess.
With Cavill, I think it comes down more to being someone who has to concentrate on maintaining the American accent, and sometimes losing a little naturalness because of it. It worked in Man From UNCLE, because the character was kind of hammy to begin with.
With Cavill, I think it comes down more to being someone who has to concentrate on maintaining the American accent, and sometimes losing a little naturalness because of it. It worked in Man From UNCLE, because the character was kind of hammy to begin with.
More than the message about consumerism? Romero’s living dead movies moved from one ism to another (racism, consumerism, classism).
Consumerism is, I think, the obvious one.
But the more interesting one to me is the irrational and illogical behavior that ultimately leads to humanity's downfall. There's a dissonant tone in the film that forms an inescapable conundrum.
In order for mankind to deal with this threat, it has to engage in sociopath behavior. Detach emotionally. React logically. Deal with the threat efficiently.
And yet, at the same time, to do so moves us further away from our humanity. Humanity is the problem, not the zombies. The film is basically saying once they show up, we're incapable of dealing with the problem because without even realizing it, we will aid and abet our own extinction. Once cohesion breaks down and hierarchical factionalism sets in, we're just prey waiting to be hunted down and devoured.
It's a pretty nihilistic film, in my opinion. As a collective, we're fucked because we're barely functional as a single body. Our time is done.