Movie opinions thread (what have you seen, what did you think?)

Average Joe

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Dinner in America

Ghost World meets Desperate Living meets Napoleon Dynamite.

Maybe both the funniest and surprisingly heartfelt movie I've seen in a while. It is covered in a nice little layer of grime that plays off its Punk vibes very well. There is a lot of anger, yelling, and aggression that flows nicely into a very surprisingly real and sweet relationship between the two leads. It's an exaggeratedly crass world filled with personality types cranked to 11 and I can see that turning a lot of people off, but I laughed at nearly all of it so clearly it is for me.
 
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DevilRedeemed

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From Beyond
Even though it starts to become heavy handed half way through, it's a brilliant watch, much better than anything someone like Wan is doing these days.
 

SouthtownKid

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Dinner in America

Ghost World meets Desperate Living meets Napoleon Dynamite.

Maybe both the funniest and surprisingly heartfelt movie I've seen a while. It is covered in a nice little layer of grime that plays off its Punk vibes very well. There is a lot anger, yelling, and aggression that flows nicely into a very surprisingly real and sweet relationship between the two leads. It's an exaggeratedly crass world filled with personality types cranked to 11 and I can see that turning a lot of people off, but I laughed at nearly all of it so clearly it is for me.
This has been on my list. Probably be able to get to it tomorrow night. Can't wait.
 

terry.330

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Cast A Deadly Spell- I was hoping for a hidden gem but this ended up being a dud.

A film noir set in 1940's Los Angeles except the twist is that magic is real and everybody uses it, all the time in everyday life. Think The Maltese Falcon meets Harry Potter. Fred Ward plays a stereotypical private eye hired by David Warner to find the Necronomicon. Ward ends up getting mixed up with his crooked ex-partner (Clancy Brown) and the obligatory femme fatale (Julianne Moore) who are also after the book and want to use it to raise the elder gods. The movie is very tongue in cheek (Ward's character is named H. Phillip Lovecraft ffs) and too goofy for it's own good. It's very sloppily directed and a lot of it just doesn't work. There are a ton of practical effects but most of them are pretty janky or just don't make sense.

It wasn't completely terrible but everything just feels off and kind of half assed. It's directed by the guy who did Casino Royale but he also directed Vertical Limit and The Green Lantern so... yeah. I can look past some of it's faults because it was an HBO original made for TV movie but still what's there isn't great.

Apparently there's a sequel starring Dennis Hopper.
 

100proof

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Vamp (1986) - Largely forgotten little ditty from the 80s vampire boom. Two frat pledges have to find a stripper for the big party in 24 hours and stumble in to a strip club owned and run by vampires. Think Bordello of Blood/From Dusk til Dawn by way of Fright Night. Grace Jones plays the vampire queen and has a wild striptease (not quite Selma Hayek in FDtD but what is...) and the movie has a lot of great little character actor performances (Billy Drago, Sandy Baron, Grace Jones to an extent). The main two guys have a weird chemistry and if the half-hearted love interest wasn't flitting about in the background, I could swear they were intentionally shooting for gay undertones (amusingly, one of them is the friend from Nightmare on Elm Street 2 so the guy apparently specialized in oddly gay-coded friendships).

That said, it kinda treads water through most of the middle third and has more endings than Return of the King. Plus there aren't enough boobs for an 80s movie that largely takes place in a strip club. Totally serviceable but definitely a tier down from classics like Lost Boys, Near Dark and Fright Night.
 

SouthtownKid

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Cast A Deadly Spell- I was hoping for a hidden gem but this ended up being a dud.

A film noir set in 1940's Los Angeles except the twist is that magic is real and everybody uses it, all the time in everyday life. Think The Maltese Falcon meets Harry Potter. Fred Ward plays a stereotypical private eye hired by David Warner to find the Necronomicon. Ward ends up getting mixed up with his crooked ex-partner (Clancy Brown) and the obligatory femme fatale (Julianne Moore) who are also after the book and want to use it to raise the elder gods. The movie is very tongue in cheek (Ward's character is named H. Phillip Lovecraft ffs) and too goofy for it's own good. It's very sloppily directed and a lot of it just doesn't work. There are a ton of practical effects but most of them are pretty janky or just don't make sense.

It wasn't completely terrible but everything just feels off and kind of half assed. It's directed by the guy who did Casino Royale but he also directed Vertical Limit and The Green Lantern so... yeah. I can look past some of it's faults because it was an HBO original made for TV movie but still what's there isn't great.

Apparently there's a sequel starring Dennis Hopper.
Is this based on a novel? I remember hearing about a series of books with this premise.
 

LoneSage

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Vamp (1986) - Largely forgotten little ditty from the 80s vampire boom. Two frat pledges have to find a stripper for the big party in 24 hours and stumble in to a strip club owned and run by vampires. Think Bordello of Blood/From Dusk til Dawn by way of Fright Night. Grace Jones plays the vampire queen and has a wild striptease (not quite Selma Hayek in FDtD but what is...) and the movie has a lot of great little character actor performances (Billy Drago, Sandy Baron, Grace Jones to an extent). The main two guys have a weird chemistry and if the half-hearted love interest wasn't flitting about in the background, I could swear they were intentionally shooting for gay undertones (amusingly, one of them is the friend from Nightmare on Elm Street 2 so the guy apparently specialized in oddly gay-coded friendships).

That said, it kinda treads water through most of the middle third and has more endings than Return of the King. Plus there aren't enough boobs for an 80s movie that largely takes place in a strip club. Totally serviceable but definitely a tier down from classics like Lost Boys, Near Dark and Fright Night.
Review request for John Carpenter's Vampires
 

terry.330

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Is this based on a novel? I remember hearing about a series of books with this premise.
I don't think so, didn't see anything about that on IMDB or in the credits. It does feel like something that would be based on a series of books though.
 
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terry.330

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Dear Mr. Watterson- Documentary on Calvin and Hobbes creator Bill Watterson, well the comic more so than Watterson himself. Since he's such a private person this focuses on the influence and enduring popularity of the comic. Not bad, there are some good interviews and nice look into the Billy Ireland Cartoon Library at The Ohio State University where a lot of his original art is now kept. Definitely worth a watch if you're a fan.

Lycan Colony- If you're a fan of RLM or Rifftrax then you're probably somewhat familiar with this. If not, it's one of the most notorious bad movies ever made. Everything is wrong, it's a genuinely baffling mess on every level. It's not an easy watch but if you enjoy torturing yourself and are a connoisseur of incompetence then it's an absolute goldmine. It's often compared to Suburban Sasquatch but I don't think it's anywhere near as accessible or hilarious. Though there is a truly disturbing wolf fur-suit that gives Sasquatch and his swinging dick a run for it's money.
 

fake

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Mechanical Violator Hakaider

The origin story of the bad guy from Kikaider but presented as an anti-hero. Some special effects stink but I love the treatment of the character and the setting of Jesus Town. I got this years ago on DVD but it’s currently on Amazon for free.
 

Average Joe

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Lycan Colony- If you're a fan of RLM or Rifftrax then you're probably somewhat familiar with this. If not, it's one of the most notorious bad movies ever made. Everything is wrong, it's a genuinely baffling mess on every level. It's not an easy watch but if you enjoy torturing yourself and are a connoisseur of incompetence then it's an absolute goldmine. It's often compared to Suburban Sasquatch but I don't think it's anywhere near as accessible or hilarious. Though there is a truly disturbing wolf fur-suit that gives Sasquatch and his swinging dick a run for it's money.
Did you think of me whenever the dad spoke? Especially if the words had an "ar" in them?
 

Ralfakick

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Been watching a few movies lately, went on a little Hong Kong kick especially

As Tears Go By 1988 - Wong Kar Wai's Hong Kong interpretation of Mean Streets and 1st Movie. I enjoy his movies generally and I liked this one, the cinematography in his movies are always pretty epic. Definitely could see how he progressed in his movies. Any Maggie Cheung is fine by me. Going to watch another movie with Andy Lau.

Super Cops II 1985 - Cynthia Rothrock and a young Michelle Yeoh. I wish I could have watched this with a better translation or the original language then what Pluto gave me, the voiceovers were terrible. Still I enjoyed it for what it was, Hong Kong Female Buddy Action Movie, which led me to watch another Cynthia Rothrock movie.

The Inspector Wears Skirts 1988 - Produced by Jackie Chan, Eh it was all right, I would have rather watched Super Cops II again. Less Cynthia Rothrock in this one, she was more of a guest star. It's weird typing this to see something like As Tears Go By came out the same year as this.

Renfield 2023 - I got this from the library (something I rarely do but should do more of.) I really liked this one. I want to hate Awkafina tbh but I think she is good doing her shlub loser Asian Character in every movie. Nicholas Cage was hammy as Dracula but it was fun, and Nicholas Hoult usually plays the same character and he did, but not in as mean spirited as usual. He played the loser familiar. Lots of gore, it was a good time, I may watch it again before returning.

Lola Montes 1955 - I can across this real life person from reading the book Royal Flash by George McDonald Frasier, who incorporated real life people in his fictional stories of the character Flashman. I found her to be an interesting person in real life (she was Irish and not Spanish for one) because of the affairs she had, but moreover how she basically was able to dictate the affairs of Bavaria as the king became enamored with her, and how she ended up buried in Brooklyn after a life in California. Anyway I understand this movie to set some of the precedents of French New Wave, and it was interesting that her character in the movie was the main attraction in a circus, but I just found it boring, unlike the person it inspired. Her life is where the song "Whatever Lola Wants," supposedly came from. From Wikipedia:

"Whatever Lola Wants" is a popular song, sometimes rendered as "Whatever Lola Wants, Lola Gets". The music and words were written by Richard Adler and Jerry Ross for the 1955 musical play Damn Yankees. The song is sung to Joe Hardy by Lola, the Devil's assistant, a part originated by Gwen Verdon, who reprised the role in the film. The saying was inspired by Lola Montez,[1] an Irish-born "Spanish dancer" and mistress of King Ludwig I of Bavaria, who later became a San Francisco gold rush vamp.[

Long Goodbye 1972 - Robert Altman's interpretation of a "modern day" Philip Marlowe played by Elliot Gould. I enjoyed this for what it was. Marlowe's friend reminded me of Owen Wilson which is funny because I couldn't place who played the doctor in the movie and it turns out he played the priest in Wedding Crashers. Could have seen this as a good Owen Wilson/ Vince Vaughn remake when they were in their prime. The Ernest Hemmingway like character and actor were good and the movie wrapped itself up neatly. It had some fun quirky parts like this topless group of female neighbors. This most famous person in the movie in the end was the second appearance of Arnold Schwarzenegger in a movie uncredited as a thug who had no lines.
 
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terry.330

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Hollywood Dreams and Nightmares: The Robert Englund Story- Not bad, I appreciate that they did spend a good amount of time on his stage and early film/TV career. It easily could have just been almost entirely about Freddy in the wrong hands. There's still a lot of Fredy though. Plenty of good interviews and behind the scenes stuff. Englund himself gets a lot of screen time and you really get a sense for how much he loves acting. My only real complaint is that it's like half an hour too long. They could have condensed all of his (mostly garbage) 00's and beyond work into 10 minutes and pretty much cut all the stuff about 2001 Maniacs. Still, it's a fairly engaging documentary and Englund seems like a legitimately good guy.
 

Average Joe

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Pacific Rim

Saw this when it first came out and was kind of whatever about it. I think I had a bit more fun with it this time around, but the lead and most of the characters are pretty dull and drag it down a lot. It does however look really good with some fun sets, fights, and overall sense of desperation. I think the Jaeger designs are OK, but all the really fun ones don't last very long and the Kaiju themselves just look kind of generic. Feels weirdly bland and cliched for a del Toro piece, but I guess it's a dumb popcorn flick so maybe that was his intention?
 

terry.330

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Pacific Rim

I think the Jaeger designs are OK, but all the really fun ones don't last very long
I hate it when they do shit like that. They did it in Real Steel and I've noticed it in other movies and some anime as well.

That's part of the generic main character as a surrogate for the viewer thing I was talking to you about. It's like the studios or whoever are worried that if a character or design is too interesting or cool that it's not relatable enough for the audience to identify with. Which is ridiculous and a disservice to the people that put in all the work to design and create those things.
 

terry.330

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Galaxy of Terror- Sci-fi shlock from Roger Corman. A spaceship crew is tricked by some sort of space diety into landing on an alien planet and exploring a giant pyramid where they are forced to face their deepest fears one by one.

This is somewhat well know because of James Cameron's involvement, he started as an art director but ended up doing all kinds of work on the production and it definitely shows. There's a lot of stuff in here that will show up later fully realized in Terminator and Aliens. Great cast of character actors including Robert Englund, Sid Haig, Ray Walston, Grace Zabriskie and Erin Moran all chewing the scenery. Some fun practical effects, gore and some pretty bizarre nudity. Special note to the absolutely incredible use of stock sound effects. Overall a solid B movie.
 

Average Joe

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Cade: The Tortured Crossing

jesus christ my brain

the beginning and end are typical Breen nonsense but cranked to 11 and I feel comfortable saying none of it makes sense and I do not have it in me to watch it over again whilst taking notes so my cursory summation will suffice no matter how unfair that is to Mr. Breen

there's a big chunk in the middle that is VERY repititious and actually made feel like I was going a bit mad; so major kudos there for unintentionally creating a piece of work that put me into that headspace

the entire movie is green screen and I mean the ENTIRE movie and it looks so hilariously bad

there might be legit like 2-3 scenes that were shot in a real location

lots of music this time around, but it's all generic stuff he pulled from free sources and one particular bit that was on a five second loop that he played for a what felt like an eternity

he also apparently couldn't figure out the tech behind a lot of green screen shots (presumably when two different people are cut into the same shot from different shoots) so a lot of the time people just straight freeze on screen and you're left wondering if it's a stylistic choice or the stubborness of an aging real estate agent to pay a proper editor/special effects person

either way... 5/5, but doesn't top Fateful Findings
 
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Average Joe

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Dream Scenario

A super interesting and unique premise that takes you down some fun and scary turns, but ultimately leads to a dead end. I really liked the majority of this movie as it had some legit funny and scary moments, but the last 20 minutes or so really soured me. Nic was great as usual and I caught a few lines where he sounded like he was channeling Charlie Bodell, so that was fun.
 

Teddy KGB

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My Name Is Julia Ross (1945) - Stumbled upon this Joseph H. Lewis classic on the Criterion Channel. For what was described as a "low-budget B movie is transformed into a chilling noir masterpiece", I would thoroughly agree. Some great / believable acting (especially for this era) that makes for some good old fashioned edge-of-your-seat tension-filled greatness up until the very end. With clocking in at just over an hour, this flick packs a concentrated noir thriller punch.
 

Teddy KGB

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Long Goodbye 1972 - Robert Altman's interpretation of a "modern day" Philip Marlowe played by Elliot Gould. I enjoyed this for what it was. Marlowe's friend reminded me of Owen Wilson which is funny because I couldn't place who played the doctor in the movie and it turns out he played the priest in Wedding Crashers. Could have seen this as a good Owen Wilson/ Vince Vaughn remake when they were in their prime. The Ernest Hemmingway like character and actor were good and the movie wrapped itself up neatly. It had some fun quirky parts like this topless group of female neighbors. This most famous person in the movie in the end was the second appearance of Arnold Schwarzenegger in a movie uncredited as a thug who had no lines.

I've come back to this one a couple times over the last year. Some interesting casting for sure but it just works. And, the whole trying to feed his cat scene(s) are unmatched for any cat-related film content that I have seen. So good.
 

100proof

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Cade: The Tortured Crossing

jesus christ my brain

lol That one line summarizes the Neil Breen experience pretty well.

My only problem with Breen (other than that he's terrible at every aspect of moviemaking but that's part of the fun) is that he kinda proves why it's better when these demented weirdos only make one movie of note. When it's one movie (like with Tommy Wiseau or John DeHart or any of the other "lovable" ego project goofs), it's just this fascinating relic of one broken person's brain. Sure, they generally boil down to "I'm the best at everything, women want to fuck me and I'm completely oblivious to my utter lack of talent" but therein lies the fun/fascination. But I don't feel like Breen's really changed or improved or given much thought to his "craft". He has just enough "fans" willing to coax him in to keep putting out the same weird, hilarious drivel over and over again. At some point, I feel like him having 6 (?!) movies kinda waters down what makes him so ironically good.
 

famicommander

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Colossal bomb for Madame Web. Somehow doing even worse with both critics and at at the box office than Morbius did.

Besides GOTG 3 every live action comic book movie since the start of 2023 has bombed (Ant Man 3, The Marvels, Shazam 2, Aquaman 2, Flash, Blue Beetle, Madame Web, Argylle).

The animated Spidey and TMNT movies did great, though.
 

Average Joe

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lol That one line summarizes the Neil Breen experience pretty well.

My only problem with Breen (other than that he's terrible at every aspect of moviemaking but that's part of the fun) is that he kinda proves why it's better when these demented weirdos only make one movie of note. When it's one movie (like with Tommy Wiseau or John DeHart or any of the other "lovable" ego project goofs), it's just this fascinating relic of one broken person's brain. Sure, they generally boil down to "I'm the best at everything, women want to fuck me and I'm completely oblivious to my utter lack of talent" but therein lies the fun/fascination. But I don't feel like Breen's really changed or improved or given much thought to his "craft". He has just enough "fans" willing to coax him in to keep putting out the same weird, hilarious drivel over and over again. At some point, I feel like him having 6 (?!) movies kinda waters down what makes him so ironically good.
I've been building a collection of bad movies for a while and I own all of Breen's films. It's some kind of perverse addiction that I'm neither proud nor ashamed of, but I'm in too deep to stop and I've dragged my wife into it.
 
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