I had no idea Clive Barker was gay. No idea how I managed to not notice that amidst the the, um, not at all obvious undertones in his various works. And yes the
Hellraiser reboot is entirely better than it has any right to be.
Anyway, re-watch and new watches and some ranting:
Prince of Darkness (re-watch) - this was maybe the fourth or so time I've watched this, and somehow it was the closest attention I've paid to it. Caught a few details I'd missed every time before, can't help but appreciate it more and more. Also kind of cracks me up how incredibly loyal Carpenter was to his small stable of preferred actors, talent/lack thereof be damned.
The Holdovers - outside of my usual range of genres but really enjoyable. Just kind of an old-school kick back and have fun comedy/drama, little serious but not overly so. Really good.
Strays - much more entertaining than I was expecting, so much so that it got me to turn off the handheld and pay more attention about 30 minutes in. Ferrell, Fox, and Fisher were all really committed to the bit, and Forte (lot of F names) nailed the vibe. I didn't realize, right up until I saw their names in the credits, that this was a Lord/Miller production. Those dudes can make anything work.
Pearl - much better than
X. Letting Mia Goth carry the movie entirely as young Pearl works a lot better. I still generally think Ti West is a very good filmmaker but he's not been close to
House of the Devil in a while.
Special Ari Aster is hilariously overrated section:
Hereditary (re-watch) - could have sworn this was scary, rewatch had zero thrills. The girl getting her head knocked off by a sign is still fun, totes obvs, but nothing else is worth paying attention to.
Beau is Afraid - just, wtf. A24 seems like they generally get their decisions right as to what to finance/make/whatever, this was not a good choice. 3 hours (!!) of inane
almost completely pointless navel-gazing. Performances were fine, but what an awful script. Of course it lost money, and it deserved to do so.
I remember generally liking
Midsommar, but also that I didn't think it was a masterpiece by any measure. I've considered re-watching it a few times, though now the only reason I can think of to do so is to try to convince myself that Aster isn't a hack. Not gonna bother I don't think. I know not everyone likes Jordan Peele's stuff, but man, as far as modern-day generally-accepted horror auteurs go, Aster shouldn't be in the conversation.
Fun ball-smashing: Most of Key and Peele sucked (Chappelle wasn't wrong), but I like this one. In an alternate universe, Steven Spielberg is taking those howitzers.